Works are just temporary shelters and painting is a leisure place where you can conceal yourself. I think my nature as an artist is something like feeling hopeless. “My work stems from fear: fear of the body, of death, of men. By combining classical styles with modern horror imagery, Samori reveals fear as the permeating force that it is, ravaging the lofty realms of art history with its primordial viciousness. His sculptures are created with a similar aesthetic, destroying the image of the body to elicit feelings of unease. By disturbing the human form, Samori disturbs the human mind. Faces are painted over or ripped apart, exposing an abstraction of bloody insides torsos hover omniously in the darkness, their flesh melting away into nothing. Working in a style influenced by Baroque portraiture-for example, the rich colors and heavy shadows-Samori intensifies the emotion and drama by mutilating his subjects. In some cases, the paint is thinned so as to obscure the figure’s details behind a haze. Nicola Samori is an Italian painter whose figurative works translate the techniques of Renaissance painting into haunting contemporary images. His Renaissance figures, first painted against classically dark backgrounds and bathed in chiaroscuro lighting, are then marred with smears of paint layered over their faces or with paint and material scratched away. Nicola Samorì is Baroque-style paintings simultaneously evoke a sense of romance and violence. Nicola Samorì’s paintings and sculptures are inspired by the work of the old masters but with the addition of scary motives to achieve this dark mood.

Nowadays, the artist lives and works in Bagnacavallo. Italian artist Nicola Samorì was born in 1977 in Forlì. The Disturbingly Dark Paintings by Nicola Samorì Ippolito II D’Este’s villa in Tivoli hosts, from February 19 to ApLe Ossa della Madre (The Bones of the Mother), solo show by Nicola Samorì (b.

Nicola samori website